Competition Between Poets of Different Eras: The poet Mibu no Tadamine

Creator:
Fujiwara no Tameuji 藤原為氏, 1222-1286 (attributed)
Physical Description:
28.6 x 23.2 cm
ink on paper; section of a handscroll mounted as a hanging scroll.
Notes:
Round 58, Left: Haru tatsu to / Iu bakari ni ya / Miyoshino no / Yama mo kasumite / Kesa wa miruran. [It is just because / They say that this is the day which marks / The coming of the spring / That the mountains of fair Yoshino / Are veiled this morning in a haze?]. Round 59, Left: Yume yori mo / Hakanaki mono wa / Natsu no yo no / Aakatsukigata no / Wakare narikeri. [Even more fleeting / Than a dream / Is a parting / At the break of dawn / After a summer night]. Round 60, Left: Ariake no / Tsurenaku mieshi Wakare yori / Akatsuki bakari / Ukimono wa nashi. [Since that parting / When your indifference was as cold / As the fading moon at dawn, ? I have known no kind of wretchedness / Like that brought by the break of day]. -- Masters of Japanese Calligraphy, 1984
Variant Titles:
Jidai fudo uta awase
Topics:
Calligraphy -- Japan -- Kamakura period, 1185-1333 -- (YVRC)
Accession Number:
M5001_0006_093
Genre:
calligraphy (AAT)
manuscripts (AAT)
Format:
Image
Content Type:
Archives or Manuscripts
Rights:
The use of this image may be subject to the copyright law of the United States (Title 17, United States Code) or to site license or other rights management terms and conditions. The person using the image is liable for any infringement.
Access Restrictions:
Yale Community Only
Source Note:
Thousand Cranes, 1987 (Seattle Art Museum, Exh. Cat.), pl. 26
Yale Collection:
Visual Resources Collection, Asian Collection
Digital Collection:
Visual Resources Collection
Original Repository:
Seattle, WA: Seattle Art Museum
Local Record Number:
Portfolio Item ID: 103077
OID:
396996
PID:
digcoll:2293476